How to paint an Egret in acrylics: Lesson 2

In the previous post, I shared how I start an acrylic bird painting. In this lesson, I will show the next steps. Next, I start refining my lights and darks, and mid-tones, correcting where needed. I use mainly the palette I mentioned in lesson 1: titanium white, burnt umber, burnt sienna, ultramarine blue, payne’s grey,Continue reading “How to paint an Egret in acrylics: Lesson 2”

Process: How to Paint an Egret

One of my readers asked if I could share my process in creating a painting, so I decided to take photos and discuss how it is done, from start to finish. While the process starts with field studies, sitting out in marshes and swatting mosquitoes and black flies, I will focus on the painting aspectContinue reading “Process: How to Paint an Egret”

Learning to Paint Impressionism: Sunny Day block study

I am in the pursuit of color. That means that I am doing what is considered a basic study in art school: block studies. Because I want to learn impressionism (a la “Charles Hawthorne” method) I am following the suggestions in Lois Griffel’s book, “Painting the Impressionist Landscape”. So, I decided to do the sunnyContinue reading “Learning to Paint Impressionism: Sunny Day block study”

Painting Impressionism: color block study

I have been reading an outstanding book by Lois Griffel, who follows the methods developed by Charles Hawthorne at the Cape Cod School of Art (where some of the outstanding American impressionistic painters have studied). She shares the importance of doing studies with color blocks, so here, I will share how to do a simpleContinue reading “Painting Impressionism: color block study”