Prophetic art: Wind in my Sails

Yesterday, I did the weekly prophetic art time with my friend. I saw an image of a sailboat, so I painted this one from imagination; I put it on a lake with the water sparkling because I love it when the sun here does that. The painting is in acrylics. “Wind in My Sails”, acrylicContinue reading “Prophetic art: Wind in my Sails”

Plein aire sunny day study: Garden Statue

It is a sunny day in Northern Michigan, so I decided to do a quick acrylic study of my friend’s garden statue. The daffodils are up; but my acrylics dried really too fast (even with a Stay-Wet palette). So, there were a few lumps in the paint in the end. But I love the gardenContinue reading “Plein aire sunny day study: Garden Statue”

Plein Aire study: Birch Tree

I decided to paint a beautiful birch tree that is only a few feet from the beach at Lake Huron. This study was done in acrylics. The day was hazy and a bit grey, so the colors are quite different from the previous sunny day study. I used my usual palette for this painting.

Learning to Paint Impressionism: Lilac blooms

A few days ago, I set up a still life in my studio with a lilac sprig that I took from the bush outside. I wanted to paint my impressions of light and color, following the Hawthorne method as best as I could. Because of the late afternoon sun, there was a lot of goldenContinue reading “Learning to Paint Impressionism: Lilac blooms”

Learning to Paint Impressionism: Sunny Day block study

I am in the pursuit of color. That means that I am doing what is considered a basic study in art school: block studies. Because I want to learn impressionism (a la “Charles Hawthorne” method) I am following the suggestions in Lois Griffel’s book, “Painting the Impressionist Landscape”. So, I decided to do the sunnyContinue reading “Learning to Paint Impressionism: Sunny Day block study”

Painting Impressionism: color block study

I have been reading an outstanding book by Lois Griffel, who follows the methods developed by Charles Hawthorne at the Cape Cod School of Art (where some of the outstanding American impressionistic painters have studied). She shares the importance of doing studies with color blocks, so here, I will share how to do a simpleContinue reading “Painting Impressionism: color block study”

Hope

I decided to paint a friend of mine in a meadow (I love meadows, and am currently on a kick painting them), portraying the emotion Hope, which is what I am calling this painting. It represents the need to take time to look up, and see that there is hope during this time. This wasContinue reading “Hope”

Colt in a Field

I love horses, used to own several and ride a lot. I wanted to paint a colt, so I did: I put him in a lovely field of flowers. I used a limited palette of ultramarine blue, hooker’s green, burnt sienna, burnt umber, yellow ochre; napsa yellow and titanium white. This one was tons ofContinue reading “Colt in a Field”

Quick Goose sketch

I was visiting a friend on Lake Huron last week, and saw geese and seagulls everywhere; I did this very quick plein aire sketch of a gander watching over his mate while she fed. The white dots are seagulls in water. I had to do the sketch (in acrylics) in 5 minutes, because he wasContinue reading “Quick Goose sketch”

World’s Strangest Looking White Flower

I decided to give myself a challenge, and paint a white flower that really does look like this. Okay, some of you will think “Darn, that’s an ugly flower” (like my friend did), but it was a great painting challenge, with lots of lights and darks. I used a limited palette (titanium white, ultramarine blue,Continue reading “World’s Strangest Looking White Flower”

Titmouse revisited

Since I am learning acrylics now, after years of working in oils, I decided to re-paint my titmouse painting in acrylic. This was a fun project, and I learned some things about acrylics doing this. As usual, I used a limited palette (titanium white, hansa yellow, yellow ochre, ultramarine blue, burnt umber and burnt sienna).Continue reading “Titmouse revisited”